Rampage(2009)

Released: April 2010(Germany)

Director: Uwe Boll

Rated R

Run Time: 85 Minutes

Distributor: Phase 4 Films

Genre: Action/Thriller

Cast:
Brendan Fletcher: Bill Williamson
Shaun Sipos: Evan Drince
Matt Frewer: Mr. Williamson
Lynda Boyd: Mrs. Williamson

For most video-gamers, myself included, any video-game film directed by Uwe Boll has been regarded as train wrecks at best.  House of the Dead was absolutely abysmal, as was Bloodrayne and Alone in the Dark.  Most people would try and compare Uwe Boll to the legendarily awful film-maker Ed Wood.  While I have certainly had my issues with Mr. Boll and his films, I don’t think that’s really a fair comparison to make.  Ed Wood never even came close to making a good movie.  While he had passion for the medium, he was nowhere near talented enough to actually craft something worthwhile.  I would actually advise people to avoid Boll’s video-game movies(except for Postal.  That one’s too bonkers to miss.), and to look at films like Attack on Darfur.  While I would say that Darfur was far from a great movie, it was surprisingly decently made and brought attention to a real problem in Darfur.  He also didn’t pull any punches when it came to the violence.  Another one that’s really worth looking at is a little thriller called Rampage.  This is not to be confused with the upcoming Dwayne Johnson film, which also happens to be based on a video-game.  Irony much?  No, this little thriller came out back in 2009 here in the states, and it’s been the subject of many debates on whether or not Uwe Boll is a good film-maker.

The film follows young Bill Williamson through his daily life, dealing with overbearing parents, a lousy boss and an even worse job, an irritating friend that talks too much, and visits coffee shops and fast-food joints with lousy service.  With everything seeming to crumble around him, Bill has a solution:  Take out his anger and frustration on the people around him.  The story might seem simple on the surface, there is a surprising amount of nuance to what’s going on.  This is an angry movie, for sure.  Not just because Uwe Boll’s been dealing with constant criticisms over his movies, but also on how America deals with it’s gun situation.  So…he let’s people have it with both barrels, literally and metaphorically.  While the story does take a turn for the horrific when Bill starts shooting people, it’s pretty clever in how it manipulates the audiences feelings about what’s happening.  It’s a simple story, with a simple set-up about a kid who has reached a breaking point.  We’ve all been there.  We’ve all had bad experiences:  Bad service, friends that talk and don’t walk and parents that push too hard.  There is something pretty cathartic about watching a character who has had enough of everything and decides to unleash his full fury on the world.

The acting in this film is actually pretty superb.  Everybody is fantastic.  From Matt Frewer to Michael Pare, every one steps up to the plate.  But this is Brendan Fletcher’s show, through and through.  As Bill Williamson, Fletcher gives a really low-key and nuanced performance.  Even though, his character does some really terrible things, we as an audience do sympathize with the character at certain points.  We understand what the character has been through and on some deep level, we wish we could unleash hell on earth.  A lot of what goes into the acting also has to do with the fact that most of the acting was improvised.  From what I understand, there really was no set script, so people were kind of making things up as they went along.  In most movies, that wouldn’t have worked.  Here, it adds a degree of realism that you don’t actually see in a lot of big-budget films.  Does it always work?  No, but it works enough that we don’t see the cracks in the dialogue.  That was a pretty smart idea, actually.  I would like to see more film-makers take the risk of not scripting dialogue and having their actors make it up as they go.

When I said that Rampage was an angry movie, I meant it.  This is one violent film.  It takes about thirty minutes before the bullets fly, but when they do, it’s nonstop.  The violence and the effects are mostly done practically and are as realistic as possible.  Most of the pyrotechnics are done in camera and a lot of the blood is done with squibs and corn syrup.  For some people, nay, many people, there are sequences in this film that can be disturbing.  The idea of a single mass-murderer is not unrealistic.  Just look at the news over the past twenty years.  On a certain level, I could never imagine a film like this getting made today.  A decade ago?  That’s pushing it, but Uwe Boll was not one to shy away from controversy, and I’m glad he didn’t.  This is a visceral and bloody film that has a certain degree of realism thrown in for good measure.  Is it all realistic?  Of course not, this film is fantasy, even though it deals with a subject matter that is all too real for a lot of us.

With all that in mind, the film does have its faults.  That lack of scripting that I mentioned?  There are moments throughout the film where a little bit of scripting could have helped.  Also, Bill’s friend Evan is annoying as fuck.  There are also some elements that don’t seem to fit.  For one, you would have expected Evan’s dad to be a little bit more suspicious about the mysterious packages that he’s been receiving for Bill, that’s a bit of a plot-hole right there.  Not only that, where was the S.W.A.T team and the FBI during all this?  You would have figured that when the bodies pile up, somebody would have alerted the feds to something like this.  Besides, any sniper worth his salt would have been able to put a bullet into Bill’s eye-piece.  There’s also a CGI shot that is really, really bad.  There’s also some pretty heavy shaky-cam going on here, but nothing too terrible.

Overall, I have to say that I am impressed.  Uwe Boll crafted a movie that is not only compelling, but also thrilling and surprisingly smart at the same time.  I’m not going to lie, I have a particular fascination with Uwe Boll’s films.  Yeah, a lot of his stuff isn’t particularly good.  But the stuff that he writes himself are actually pretty decent.  Is Rampage going to be for everybody?  No.  The subject matter is going to hit really close to home for a good number of people who have been affected by some of these events.  This is clearly a movie in which Uwe Boll really vents.  When you’ve been criticized for a good chunk of your career, I can absolutely see why he would make a movie like this.  It’s definitely garnered some attention and it’s gotten people talking.  But it’s also got people saying that’s a pretty decent film.  For an Uwe Boll film, that is a hell of an achievement.  Bravo, good sir.  Bravo.

My Final Recommendation: 8.5/10

 

Jailbreak

Released: September 2017

Director: Jimmy Henderson

Not Rated

Run Time: 92 Minutes

Genre: Action

Cast:
Celine Tran: Madame Butterfly
Jean-Paul Ly: Jean-Paul
Tharoth Sam: Tharoth
Dara Our: Dara
Savin Phillip: Playboy

I’ve seen action movies from all across the world.  From the United States and Russia to China, Japan and Indonesia.  I’ve even managed to catch action movies some pretty unlikely places like India, Vietnam, and Chile in South America.  Each country has a particular flavor and design that separates them from the rest of the world.  India in particular, throws in musical numbers with their surprisingly brutal action flicks, and yet, it works.  Thailand’s action films tend to include that country’s proprietary martial art, Muay Thay to a very brutal and spectacular degree.  Indonesia gave us Iko Uwais and Silat, Indonesia’s martial art.  So, imagine my surprise when I found out about Jailbreak, an action film from Cambodia.  That was a new one for me, so….let’s see what they’ve got.

The story of Jailbreak involves a handful of police officers tasked with escorting a prisoner to a notorious prison somewhere in northern Cambodia.  This prisoner apparently has information that could cause trouble for the all-female gang known as the Butterfly Gang, so the gang’s leader does everything she can to make sure that this prisoner doesn’t see the light of day.  That’s pretty much it.  Don’t get me wrong, I appreciate the simplicity in story-telling.  Sometimes you don’t need anything overly complex, but the story in Jailbreak is so simple, it doesn’t really go into specific motives for why some of these characters do what they do.  We have no idea what this prisoner did to get into so much trouble, and we aren’t given a reason why the gang is after him.  If you’re not going to provide any kind of motivation, you’re essentially setting these characters up to be cannon fodder.  It also doesn’t help that this film draws some pretty heavy inspiration from superior films like The Raid.  Honestly, don’t go to this movie for the story.  It’s easily the weakest part of the film.

This film has been heavily hyped up for its action sequences.  That is where this movie truly excels.  The action and the fight sequences are among the best that I’ve seen a movie of this sort.  While the one-on-one fights are intense, the best action sequences involve large groups of people fighting each other.  The guy that choreographed these fights, Jean-Paul Ly, who also stars in the film, clearly has a very strong grasp on what makes a great fight sequence.  There is no wire work and almost no CGI, at least none that I could detect.  The other fantastic thing about these fights is the camera-work.  Action movies work best when you can see what’s going on, and Jailbreak does a pretty good job.  You’ve got a lot of wide shots, so you can see the action clearly, and there is very little in the way of shaky-cam.  A number of the main cast also happen to be martial artists so, a lot of what you see is pretty authentic.  The action also comes at you pretty constantly, so there’s rarely room to breathe.  For a 90-minute film, that’s perfect.

Seeing as this is the first movie that I’ve seen that’s from Cambodia, I can’t properly judge the acting here, without being able to compare to another Cambodian film.  I’m not going to say it’s horrible, however, because it’s not.  That being said, some of these actors don’t seem very comfortable in what they are doing that isn’t action-oriented.  There’s not really a whole lot of emoting or drama.  Although, when you cast a porn star as one of your main villains, your credibility could take a huge hit.  Celine Tran, who plays Madame Butterfly, the leader of the gang, made a living in the adult film industry, but strangely enough, she’s fairly convincing as a sword-wielding bad-ass.  That kind of casting can be a huge risk, but it seems to have paid off in this case.  Jean-Paul Ly is one to keep an eye on, as he’s worked as a stuntman on films like Doctor Strange, Lucy, and the upcoming Krypton TV series.  This guy’s got some serious moves.  Tharoth Sam is an actual MMA fighter trained in the Cambodian style of Bokator.  Overall, the acting isn’t terrible.

Since this is a very low-budget film, there are going to some cheap-looking aspects.  The biggest offenders are the set designs and the costumes.  With the exception of the all-female gang, the costumes are ugly.  The police and prison uniforms have very little detail and look like janitor uniforms.  The prison itself is not very well-designed in my opinion.  Again, this is a low-budget film, so corners had to be cut, but I still think that the prison could have been done a little better.  Jailbreak was also touted as an action-comedy.  Action?  Definitely.  Comedy?  Not so much.  The fights are extremely violent and there’s a scene in which the female cop is grabbed by some prisoners and they attempt to rape her.  Does that sound like it belongs in a comedy to you?  There are some moments of levity, but the whole thing doesn’t feel like a comedy.  The humor in the film also feels forced.

Hype can be a double-edged sword.  It can be used to generate real excitement for a movie.  However, if you use it too much, the movie might not deliver on that hype and could damage the film’s credibility.  The hype for Jailbreak’s action sequences is justified.  Those are some pretty awesome scenes.  However, the film as whole, doesn’t quite measure up.  The lack of character development as well as some really cheap production values bring down a film that could have been something truly special.  As it stands, though, I can only recommend the film for it’s action sequences.  But action sequences alone don’t make for a good movie.  With all that in mind, I would still say to you to keep an eye on Jean-Paul Ly, Dara Our, and Tharoth Sam when it comes to action movies.  These folks definitely have a future in the business.

My Final Recommendation: Come for the action sequences, stay for the action sequences.  6.5/10